GOPIART
Our story

Nothing Here Is Flawless. That Is the Point.

A machine can give you a perfectly even surface. A person cannot, and should not try. The small irregularities are the record of the hands that made the piece. So we leave them, and lay the gold along them.

Why the gold goes where the flaw is

There is an old repair craft where a broken bowl is joined with lacquer and powdered gold, so the crack is lit up instead of hidden. We work from the same instinct. Each candle holder is textured ridge by ridge while the cement is soft. Where the surface runs uneven, that is where the gold foil goes.

One at a time

GOPIART is made by hand in India. We make candles, diyas and decor one at a time, and we draw mehendi freehand with no stencils. That is why no two pieces match, and why we take only as many orders as we can finish properly.

Picture it

Where a GOPIART piece fits in

Seven o'clock, lights low

The day is mostly done. You trim the wick, light it, and the gold along the ridges starts to move with the flame. One refill burns for about seven to eight hours, so it carries you through a week of evenings. When the wax is gone, you pour in fresh powder wax and the same holder begins again.

The gift on the table

Most housewarming gifts are sweets, a plant, a box that gets passed along. A hand-textured candle holder with gold foil is different. It took hours of one person's day, no two are the same, and it stays on the shelf long after the wax has burned down.

The morning of the wedding

The henna paste is mixed by hand and rested overnight. On the day, the design is drawn freehand while you sit with the people you love. It is drawn once, for your hands only. It fades over about two weeks, and the day stays tied to the pattern.

SEE THE CANDLES